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By Michael Betancourt

Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, movement, and area offers a longer dialogue of the morphology and constitution of compositing, photo juxtapositions, and montage hired in films. Drawing from the historical past of avant-garde and advertisement cinema, in addition to studio-based examine, the following media artist and theorist Michael Betancourt opinions cinematic realism and spatial montage in films. This new taxonomic framework for conceptualizing linkages among media paintings and narrative cinema opens new components of experimentation for today’s movie editors, movement designers, and different media artists.

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Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space by Michael Betancourt


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