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By Zachariah Rush

the last word goal of drama is to reveal the soul of personality. Dramatists accomplish that aim through applying a selected form of clash referred to as dialectic, an idea woven all through Western considering and—from Homer to twenty first century cinema—the foundation of all dramatic characters. This examine info the historical past of dialectical inspiration from Plato to Jung earlier than turning its concentration to the improvement of personality in a century of filmmaking. From Chaplin’s Tramp to Taxi Driver’s Travis Bickle, it examines greater than dozen cinematic characters ruled through dialectic—torn among lifestyles and demise, opposing wishes, moralities and wills, their experience of self threatened by means of others.

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Cinema and Its Discontents: The Dialectical Nature of Character by Zachariah Rush

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